FOOTNOTES



FURTHER READING, VIEWING AND LISTENING:

— Laurie Anderson, From The Air, Warner Bros. Records, 1982.

— Paul Baker, Fabulosa! — The Story of Polari, Britain’s Secret Gay Language, Reaktion Books, 2019.

— Anne Carson, If Not, Winter: Fragments of Sappho, Knopf Doubleday Publishing Group, 2003.

— Samuel R. Delany, Babel-17, Ace Books, 1966.

— Ani DiFranco, Fuel, Righteous Babe, 1998.

— Suzette Haden Elgin, Native Tongue, DAW Books, 1984.

— José Esteban Muñoz, Cruising Utopia: The Then and There of Queer Futurity, NVU Press, 2009.

— ONCE WE WERE ISLANDS, Damiá 1 — A Queer Tongue, 2021. (PDF version)

— ONCE WE WERE ISLANDS, Damiá — A Structural Grammar, 2022.

— ONCE WE WERE ISLANDS, The Crossing, 2022.

— ONCE WE WERE ISLANDS, Queer Tongues — A Documentary, 2021.

— ONCE WE WERE ISLANDS, Instagram: @oncewewereislands

— ONCE WE WERE ISLANDS, Instagram: @a_queer_tongue

— ONCE WE WERE ISLANDS, Instagram: @damiawordoftheday

— ed. Wendy Gay Pearson, Veronica Hollinger, Joan Gordon, Queer Universes: Sexualities in Science Fiction, Liverpool University Press, 2010.

— Anna T, Opacity — Minority — Improvisation: An Exploration of the Closet Through Queer Slangs and Postcolonial Theory, Transcript, 2020.

— Ursula K. Le Guin, Always Coming Home, Grafton Books, 1988.

— Ursula K. Le Guin, The Carrier Bag Theory of Fiction, Ignota Books, 2019.

— Ursula K. Le Guin, The Dispossessed, Harper & Row, 1974.