FOOTNOTES
FURTHER READING, VIEWING AND LISTENING:
— Laurie Anderson, From The Air, Warner Bros. Records, 1982.
— Paul Baker, Fabulosa! — The Story of Polari, Britain’s Secret Gay Language, Reaktion Books, 2019.
— Anne Carson, If Not, Winter: Fragments of Sappho, Knopf Doubleday Publishing Group, 2003.
— Samuel R. Delany, Babel-17, Ace Books, 1966.
— Ani DiFranco, Fuel, Righteous Babe, 1998.
— Suzette Haden Elgin, Native Tongue, DAW Books, 1984.
— José Esteban Muñoz, Cruising Utopia: The Then and There of Queer Futurity, NVU Press, 2009.
— ONCE WE WERE ISLANDS, Damiá 1 — A Queer Tongue, 2021. (PDF version)
— ONCE WE WERE ISLANDS, Damiá — A Structural Grammar, 2022.
— ONCE WE WERE ISLANDS, The Crossing, 2022.
— ONCE WE WERE ISLANDS, Queer Tongues — A Documentary, 2021.
— ONCE WE WERE ISLANDS, Instagram: @oncewewereislands
— ONCE WE WERE ISLANDS, Instagram: @a_queer_tongue
— ONCE WE WERE ISLANDS, Instagram: @damiawordoftheday
— ed. Wendy Gay Pearson, Veronica Hollinger, Joan Gordon, Queer Universes: Sexualities in Science Fiction, Liverpool University Press, 2010.
— Anna T, Opacity — Minority — Improvisation: An Exploration of the Closet Through Queer Slangs and Postcolonial Theory, Transcript, 2020.
— Ursula K. Le Guin, Always Coming Home, Grafton Books, 1988.
— Ursula K. Le Guin, The Carrier Bag Theory of Fiction, Ignota Books, 2019.
— Ursula K. Le Guin, The Dispossessed, Harper & Row, 1974.